'Stephen Billington captures the painter’s wide-open eyes, impulsive enthusiasms and triviality,...'

'Both play and performances improve in the second half, as the narrative slows down to match the pace of the direction and the performers are allowed extended portrayals of Dali and his shrewish mistress and muse Gala. It is here that Billington is able to convey the sense that Dali himself may have been tortured by the fear that he was as much fraud as genius, while the playwright guides us, through a dream debate between Dali and Raphael, to the understanding that all art arises from a mix of talent, neurosis and showmanship.'